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The way in which a viewer processes art film is inherently different from traditional cinema. The process of altering narrative structure subsequently alters spectatorial activity. Art cinema tends to play with traditional structure and allows for jumps in time and fragmentation that may not be immediately understood by the viewer as opposed to the usual linear structure of traditional Hollywood narrative. ![]() One of the most defining aspects of the art film which distinguishes it from traditional cinema is the narrative structure. Bordwell’s aims in notating these attributes it to hopefully outline a system to categorize art cinema to then create a symbiotic relationship with traditional narrative cinema or, traditional Hollywood cinema, and the avant-garde or “art film.” Bordwell claims there are multiple attributes a film can utilize which would qualify a film as an “art film”. David Bordwell’s Art Cinema as a Mode of Film Practice aims to categorize the “art film,” as we now know it.
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